Johnny Cash, Harry Potter, the Simpsons, and John Grisham. What do all of these icons in pop culture have to do with faith? Find the answer in Pop Goes Religion; relevant insight into the world of today's entertainment.

In this collection of essays, popular American journalist, Terry Mattingly teaches readers how to identify elements of faith in today's pop culture.

Topics include: God & Popular Music Faith & the Big Screen God on TV Ink, Paper, and God Politics and Current Events

From music to movies, politics to the pope, Mattingly explores the matters of the heart with a fresh and relevant perspective.

For understandable and inevitable reasons, the colloquially termed "9/11" is most symbolically linked to the World Trade Center. The Pentagon's destruction received far less coverage, but those who helped extinguish the fires, tend to the wounded, and clean up the aftermath will never forget such a loss. Thousands took part in the Pentagon recovery effort following 9/11, but few knew exactly what they were signing up for. A nearby Army unit, the 3rd United States Infantry Regiment (The Old Guard), sent its soldiers to contribute where they could, as best they could, and in any capacity they could. In this book, soldiers of The Old Guard have elected to share their experiences. Their accounts attest to the honor and camaraderie that were necessary for picking up the pieces, as well as the traumatic effects of being enveloped in the aftermath of tragedy.

The belief that dead people could assume non-human forms is attested in Egyptian texts of all periods, from the Old Kingdom down to Graeco-Roman times. It was thought that assuming such forms enhanced their freedom of movement and access to nourishment in the afterlife, as well as allowing them to join the entourages of different deities and participate in their worship. Spells referring to or enabling the deceased's transformations occur in the Pyramid Texts, the Coffin Texts, and the Book of the Dead. But it is not until the Graeco-Roman Period that we find entire compositions devoted to this theme. Two of the most important are P. Louvre N. 3122 and P. Berlin P. 3162, both written in hieratic and dating to the 1st century AD. Both texts have been known to Egyptologists for more than a century, but neither is currently available in an up-to-date comprehensive edition. This book provides such an edition, including high-resolution images of the manuscripts, hieroglyphic transcriptions, translations, descriptions of their material aspects, studies of their owners, their titles, and their families, reconstructions of their context of usage, analyses of their orthography and grammar, and detailed commentaries on their contents.